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Grace Dent: How to Leave Twitter

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The two biggest books by British female journalists of 2011 are styled as ‘how to’ guides. While Caitlin Moran packages her witty and passionate, if self-contradictory, memoir-cum-feminist-manifesto-for-the-modern-gal as How to be a Woman, Guardian columnist Grace Dent brands her canter through the ills and marvels of microblogging site Twitter as a roadmap for leaving social media behind.

And the similarities don’t end there. Like Moran, Dent trades off the sharp, gag-packed style of much of her journalism in her book. You can almost hear the keyboard rattling as she sweeps you through the pros and cons of tweeting, following, unfollowing, ffing and much, much more.

Dent does a particularly nice line in witty similes, capturing all shades of virtual social awkwardness from the moment you join Twitter (‘you feel like an enormous, unpopular child lumbering into the sandpit bellowing “HALLO CAN I PLAY WITH YOU?”‘). Anyone who’s dipped a toe in the social media pond will recognise the description of ‘desktop multi-application spiralling circle of hell syndrome’ – it made my head ache in sympathy – and the series of succinct but oh-so-accurate character sketches of the different virtual personalities you might bump into online. At its best, the whole thing reads like an etiquette guide for the digital age – something you can imagine historians picking over in centuries to come to construct a vision of early twenty-first century mores.

There are some meatier points too. The consideration of the impact of Twitter on journalism and newsgathering – touched on here but worthy of several books in its own right – is interesting, as is Dent’s point that Twitter has provided a space for women to engage with each other and be witty in a way that few social structures and entertainment outlets have allowed for before.

Once more in line with Moran, Dent has an axe to grind on the subject of the under-representation of funny women in the media. Although I find it hard to believe that this is any more extreme than, say, the dearth of women in engineering or boardrooms, I was intrigued by Dent’s comments on the experience of being edited ‘to sound more like a woman’, chiming in as it did with some of my limited dealings with publishers.

The similarities end, however, when you step back and look at the bigger picture. Much as I have a problem with the fundamental contradiction of expounding an all-embracing philosophy of everybody living as one of ‘the guys’ while railing continually against the patriarchy, I have no doubt of Moran’s sincerity.

Dent’s work on the other hand feels much more cynical. She lays into boastposting (shamelessly tweeting your achievements), yet riddles her book with flattering anecdotes and tweets about herself; she sets out the need for heavy tweeters to be expert skim readers, yet repeats herself to the point where you can’t help applying the same technique to her book; she tears apart the hyped and misleading headlines splashed across women’s mags, but titles her book in the same way (this is not a book about leaving Twitter, in case you were wondering).

This isn’t necessarily a problem, but it’s something to be aware of when you pick the book. If you’re looking for funny reflections on the socmed generation in bitesize chunks, you’ll find them here. If you’re looking for the answer to life, the universe and everything… you won’t. But maybe that’s the point. Maybe the days of the earnest, self-help, ‘how to’ guides so beloved of the Bridget Jones generation are over. And maybe that’s not a bad thing.

Picture by Travelin’ Librarian

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Written by londonchoirgirl

December 19, 2011 at 10:43 am